July 20th, Friday - French Short Film Festival

Playground Shorts – on the 20th of July 2007

LES CRAYONS
Direction: Didier Barcelo
Screenplay: Jean-Loup Seuret, Patrice Dumas, Didier Barcelo
Photo: Glinn Speeckaert
Editing: Aurelien Dupont
Music: Jean Dindinaud
Actors: Philippe Amaury Corbisier, Sarah Metzmacker
Production: Quad Productions

France - 2004 - Animation - 3 mn

The Pencils
A pretty little girl is in love with a little boy, but is she as charming and sweet with everybody else?



LE MANIE-TOUT

Direction: Georges Le Piouffle
Screenplay: Zoe Galeron, Georges Le Piouffle
Photo: William Waterlot
Actors: Serge Hazanavicius, Axelle Laffont, Bernard Haller, Benjamin Gabbey, Jules-Angelo Bigarnet
Production: Antiprod

France - 2004 - Fiction -16 mn

Ten-year-old Martin must take an alley he doesn't know to get to his new school. Mysterious Manitout signals to him from behind a dusty window. The old man can make Martin's satchel come to life. And what if everything left in the old man's hands could start to work? Thus a world somewhere between the imaginary and wishful comes to life for Martin.



POTELINE

Direction: Chloe Miller
Screenplay: Chloe Miller
Editing: Camille Maury
Music: Christophe Heral
Production: La Poudriere Ecole du Film d' Animation

France - 2004 - Animation - 4 mn

Fed-up of waiting, a princess takes over the situation



FOND DE TEINT

Direction: Marie-Louise Mendy
Screenplay: Marie-Louise Mendy
Photo: Laurent Rauty, Laurent Pauly
Editing: Ulrich Teiger
Music: Martin de Manneffe
Actors: Vogan Gomis, Manuelle Molinas, A"issa Maiga
Production: Killers Film

France - 2005 - Fiction - 10 mn

Safi, is a young woman from Africa, she goes to get her son at school. He looks at her face and hands closely as though he was seeing her for the first time. Strangely distant and depressed since this day, she slowly discovers the reason for his trouble: the difference of their skin colours.



MAROTTES

Direction: Benoit Razy
Screenplay: Benoit Razy I Sylvie Plessy
Editing: Herve Guichard
Production: Les Films du Nord, FolPhoto Valence Production

France - 2005 - Animation - 14 mn

Céline's parents leave for a few days. The ten-year-old girl remains behind with her two brothers, watched over by Rosalie. During her parents' absence, an unusual number of meetings take place between Céline and Valentin, a young, unstable boy given to violent spells who lives in the same village. Their games and vastly different backgrounds create a mixture of mutual curiosity and fear between them.



IMAGO...

Direction: Cedric Babouche
Screenplay: Cedric Babouche
Editing: Amandine Moulinet
Music: Thierry Malet
Production: Sacrebleu Productions

France - 2005 - Animation, 3D - 12 mn

Antoine, 8 years old, has lost his father in a plane crash. Unable to accept his death, he finally starts living again and accepts his loss through a metaphorical dream. And thus, he's able to grieve.



CLIK CLAK

Direction: Thomas Wagner, Victor-Emmanuel Moulin, Aurelie Frechinos
Screenplay: Thomas Wagner, Victor-Emmanuel Moulin
Photo: Thomas Wagner, Victor-Emmanuel Moulin, Aurelie Frechinos
Editing: Aurelie Frechinos, Victor-Emmanuel Moulin, Thomas Wagner
Music: Poum T chack
Production: Supinfocom Aries Ventes internationales: Premium films

France - 2005 - Animation - 6 mn

Logic event in robots party language teapot and splat atmosphere.



BOUTS EN TRAIN

Direction: Emilie Sengelin
Editing: Catherine Aladenise
Music: Christophe Heral
Production: La Poudriere. Ecole d' Animation

France - 2005 - Animation 20 - 4 mn

In a train, everyone is deep in their own thoughts. During an incident, their eyes meet, and their tongues are loosened in song.



OOH17

Direction: Xavier de Choudens
Screenplay: Xavier de Choudens, Pascale Monforte
Photo: Gordon Spooner
Editing: Sophie Reine
Music: Franck Louise
Actors: Jean Senejoux, Guillaume Denaiffe, Faygal Zeghadi, Franck Bruneau, Silong, Hakim Djaziri, Olivier Gueritee
Production: Agat Films & Cie

France - 2005 - Fiction - 10 mn

A group of boys, aged from 12 to 23, is at a station waiting for the last train. One of them, Sacha, contemplates the heavens and speculates about how the planets move within the universe.

French Short Film Festival

The Alliance Française d’Ahmedabad, in concert with the Film Club, brings you a six-day package of short films, from the 20th to 25th of July '07. The venue is, as always, the Auditorium. The timing each day will be 7:00 p.m. Francophiles rejoice! The rest of us can look forward to a real treat. See you all there, and be careful to grab your seats well in advance - these screenings typically pack the Audi.

A reproduction of the mandate we received:

As part of its policy of promoting French cinema around the world, the Ministry of Foreign Affairs has regularly proposed programmes of short films.

In 2006, it wished to bring together three of the main actors in the area of support and promotion for short films – the Agence du Court Métrage, the Clermont Ferrand International Short Film Festival and UniFrance in order to offer a selection of forty or so recent short films (made in 2004 or 2005).

The richness and diversity of production in terms of both form and subject, revelatory as it is of the vitality of cinematographic creativity in France, have at times made selection extremely difficult, and led us to define four main focuses:
-Young audiences: the "Playground Shorts" programme
-The weird and fantastic: the "Strange Shorts" programme
-The feminine: the "Elles" programme
-A selection from the 2006 Clermont Ferrand Festival: the "Clermont-Ferrand 2006" programme
-"World Shorts" programme; collected short films from around the world

In addition, we wanted a fifth focus for our selection to illustrate the second priority of the Ministry of Foreign Affairs where cinema is concerned -the promotion of films from the South: this is the "World Shorts" programme.

We wish you a happy "Voyages en courts" journey into the world of short films!



The Subdirectorate for French Language Promotion has partnered this operation in order to offer two programmes to teachers of French as a foreign language: the first is intended for pupils from age 7 learning French, "Playground Shorts", and the second is for a teenage audience, "Strange Shorts". This special film selection has been arrived at with the help of CAVILAM and will be accompanied by a teacher's booklet supplemented by information on ways of reading the screen image provided in conjunction with the French Agence du court métrage.

Nothing would give us greater pleasure than for teachers and students to enjoy discovering these short films in the classroom and then watching them on the big screen!

This programme is available on NTSC DVD all zones.

English, Spanish, Brazilian and French subtitles.

Contact:
Chintan Pandya
Administrator / Cultural Coordinator Alliance Française d' Ahmedabad
Opp. Gujarat College, Shahid Vir Kinariwala Marg, Ellisbridge, Ahmedabad -380 006 Ph: 2656 0271, 2640 1551
E-mail: ahmedabad@afindia.org

July 19th - Wong Kar-wai's "IN THE MOOD FOR LOVE"

A man. A woman. Both away from their marriages and their homes. Both lonely. Both with the feeling that their respective spouses are cheating on them, and this feeling, in a weird but understandable way, brings them together. Just how far will this misbegotten “friendship” go? The awkwardness of the whole thing is accentuated by having two otherwise good people in morally unsound positions. You may notice editing tricks the director has used to distort the perception of time. (Or not. You shall sense their effect all the same.) A beautiful film, one that makes us face the ambiguities of life, the grey areas through which we must sometimes tread.

About the director: Wong Kar-wai (b. 1958) is a Hong Kong-based filmmaker, now a regular on the art house circuit. His stylized, elegant films rarely make it big at the box office, an exception being AS TEARS GO BY (1988). IN THE MOOD FOR LOVE follows DAYS OF BEING WILD (1991) and precedes 2046 (2004) in a trilogy of sorts. He has had to work within a sometimes intrusive system, and had to shift the locations for this film when confronted with the whims of officialdom. His work has been honoured, most notably at Cannes (for HAPPY TOGETHER (1997), Best Director).

July 17th - Sergei Eisenstein's "OCTOBER"

Flush from the success of THE BATTLESHIP POTEMKIN, Eisenstein undertook to refine and develop his ideas of film language, in particular of what he called “Intellectual Montage”. This form of editing put together shots of things without obvious relation so as to foster comparisons between them. Emotional, abstracted, multilayered, this film is a torrent, a roaring onslaught from start to finish that bewildered Soviet audiences and brought crashing censure from the government. Originally commissioned to commemorate the Revolution, a revolution of the collective, it became a conduit for the personal visions of a powerful filmmaker. As you watch this, certain things may be beyond your knowing, as with any film rooted in the events of the distant past. A great film, in any case.

About the director: Sergei Eisenstein (1898-1948) can hardly be overestimated in terms of his influence on early cinema. Not only did he make some of the best films the world has seen, but his was a probing intellect of the highest echelon. His film theories touch on every facet of existence, filling the pages of his many books. One such, EISENSTEIN ON DISNEY (1986), posthumously published, has a priceless photograph of the man shaking hands with Mickey Mouse (!) and reams of incisive thought. The KMC has a copy – go see it. His oeuvre includes THE BATTLESHIP POTEMKIN (1925) and IVAN THE TERRIBLE (Part 1, 1944).

July 12th - Sai Paranjape's "KATHA"

Thursday
12th July 2007

6:15 p.m. at the Auditorium

KATHA (1983)

Directed by Sai Paranjape

Runtime: 2 hours 21 minutes

Set in the chawls of Mumbai, KATHA is a well-crafted, straightforward tale about two men, who could not be more different, and the woman they are after. Rajaram (Naseeruddin Shah) is a simple man always ready to do a good turn; his friend, Bashu (Farookh Shaikh) is prone to bluster and has a roving eye. Trouble begins when the object of Rajaram’s affection (Deepti Naval) gets swayed by Bashu’s charms. All in all a very warm, human film, with a focus on character development. For those not familiar with life in the chawl, this is a good socio-cultural vehicle – the ‘neighbours’ of the characters are actual localites, and are far more than extras or set-dressing. They lend an authentic touch to this picture.

About the director: Sai Paranjape (b. 1938) has always advocated the importance of a good story. She ought to know, having written her first book when only eight years old. Her career properly began with AIR, and then theatre, TV and films. Success in a cut-throat, predominantly masculine industry attests to her abilities. The middle class has long been subject and audience with this director, but she retains her versatility.

July 10th - Robert Wiene's "THE CABINET OF DR. CALIGARI"

Another Tuesday, and yet another step forwards in time and sophistication. The film we bring you is a classic in all senses of the word, bringing together sublime artistry and plain good storytelling in a seamless presentation. An excellent introduction to the German Expressionist school of filmmaking, a style which was lost to its native country, its chief exponents having fled to foreign lands before the rising Nazis. The film is fairly polished in its approach, using such things as the story-within-a-story and psychological metaphors. All commonplaces in literature, but fairly novel for motion pictures at the time. The name this school shares with the famous art movement is no accident. They are interlinked, both in philosophy and appearance. A mad tale, of a mad mystic who goes around killing people by using a man who is under his control. And just where does the madness truly lie? Watch this; if nothing else, it shows what you can do even within a limited budget.

About the director: Robert Wiene (1873-1938) started out the industry as a screenplay writer, having tried stage acting and law previously. It was with this film and CRIME AND PUNISHMENT - RASKOLNIKOW (1923) that he would make a lasting impression on German cinema, and by extension, the world. As with his colleagues, he felt compelled to abandon Germany in the 1930s. His short career abroad was cut short by his death in Paris. His legacy, though, lives on.

An Interview with Marziyeh Meshkini

Hello
Here is a link of an interview with the director of The Day I Became a Woman- Marziyeh Meshkini.

http://www.makhmalbaf.com/articles.php?a=335

Do post your comments on the film!

Thursday Screening - THE DAY I BECAME A WOMAN

This Thursday we bring you a film that expresses the female view of life in a society that usually stifles this perspective. A telling insight into how things are with the “other” other. The film is spare in its treatment, the austerity, characteristic of Iranian cinema, befitting the subject matter. There are three parts, each depicting one of three different people (presumably contemporaries) at different stages of life. So you have a young girl, whose story directly connects to the film’s title; a young wife, the one you see on this poster; and a wheelchair-bound old woman giving vent to her fancies. These episodes, tenuously bound by shared themes, give the viewer sufficient space to wonder and think. What is left unsaid and is hidden away beckons to us from the shadows.

About the director: Marzieh Meshkini (b. 1969), a relative newcomer to the scene, studied at the Makhmalbaf Film Institute and then worked as an assistant-director to her husband, Mohsen Makhmalbaf. This was her debut feature.

July 3rd - SILENT SHORT FILMS

An assorted mix of silent shorts have we for you. They could throw you for a loop, they might provoke or make you giggle, or they may leave you cold. You will never know if you stay away.

Tuesday

3rd July 2007

6:15 p.m. at the Auditorium

AVANT GARDE FROM 1920s-30s. The name says it all. This is a package of short films that were once considered cutting edge. They may seem quaint now; stay with us.

UN CHIEN ANDALOU (1929). Directed by Luis Bunuel (and Salvador Dali). More people would have heard of Dali, we're willing to bet. Well, this film is not unlike the eccentric painter's famous works. In true Surrealist vein, the thing has no coherent plot whatsoever, jumping from situation to crazy situation. Dali himself makes an appearance - see if you can spot him. Deeply disturbing even for today's audiences, at its premiere Luis Bunuel reportedly had his pockets laden with stones, to defend himself should any outraged people assault him! Don't pelt us, please. A must watch.

and finally

A series of Lumiere Brothers shorts. An enterprising lot, true pioneers who did a lot to get the public involved in the moving image. A selection of their work. These, and others like them, might seem crude to our jaded modern selves. All the same, they deserve our respect.

Schedule for July '07

Hi everybody!

The first proper schedule for this semester, and the first implementation of our new agenda. Starting from now, we will sweep a hundred years of the motion picture in a pincer movement on both ends. On Tuesdays we go from the very beginning towards the future, and on Thursdays we start with the recent and then head backwards. Do see all of these. It should be quite a trip.

Screening schedule for July '07:

3rd July, Tuesday, 6:15 p.m., Audi
A selection of short silent films including:
AVANT GARDE FROM 1920s-30s, dir: various
UN CHIEN ANDALOU, dir: Luis Bunuel
and some Lumiere Brothers shorts.

5th July, Thursday, 6:15 p.m., Audi
THE DAY I BECAME A WOMAN, dir: Marzieh Meshkini

10th July, Tuesday, 6:15 p.m., Audi
THE CABINET OF DR. CALIGARI, dir: Robert Wiene

12th July, Thursday, 6:15 p.m., Audi
RUSSIAN ARK, dir: Alexander Sorukov

17th July, Tuesday, 6:15 p.m., Audi
OCTOBER: TEN DAYS THAT SHOOK THE WORLD, dir: Sergei Eisenstein

19th July, Thursday, 6:15 p.m., Audi
IN THE MOOD FOR LOVE, dir: Wong Kar-wai

24th July, Tuesday, 6:15 p.m., Audi
M, dir: Fritz Lang

26th July, Thursday, 6:15 p.m., Audi
SALAAM CINEMA, dir: Mohsen Makhmalbaf

31st July, Tuesday, 6:15 p.m., Audi
LA REGLE DU JEU (THE RULES OF THE GAME), dir: Jean Renoir


Feel free to leave comments on the films you have seen. We would like to get you thinking, that we would. Talk, read up, watch.

And enjoy yourselves!

Too similar....?

Cafard



Muppets Overtime



The End

March 29th - Stanley Kubrick's "DR. STRANGELOVE"

Dr. Strangelove (1964)

Those were the days, when the best that the brightest minds could come up with for keeping the peace was the M.A.D. doctrine. In the making of the film, Kubrick became steadily aware of the bizarre logic behind nuclear deterrence, bordering on the lunatic (and the reason why this is a comedy). Here you will see: (1) Peter Sellers as the U.S. President (2) Peter Sellers as Dr. Strangelove, and (3) Peter Sellers as a British officer. Quite a cast!

About the director: Stanley Kubrick (b. 1928, d. 1999), undoubtedly one of the shining lights in cinema, leaves little behind of the man himself. Many speak bitterly in his wake; others defend him stoutly; neutral opinions are uncommon. He has the anomalous status of mainstream/independent. He laboured long on his films, which include Lolita (1962), 2001: A Space Odyssey (1968) and The Shining (1980).


All the best as you prepare for the juries. See you next Semester!

March 28th - Nishikant Kamat's "DOMBIVLI FAST"

Dombivli Fast (2005)

Runtime: 1 hour 50 minutes

- Winner of the “Sant Tukaram Puraskar”, Pune International Film Festival, 2006
- Winner of the Jury Prize at the 4th Indian Film Festival, Los Angeles
- 4 stars, the New York Times

A remarkable film about an otherwise ordinary man who does something extraordinary. Madhav Apte, as a typical middle class Mumbaikar, faces corruption at every point in his life. He cracks in the end and goes on a rampage, cracking down on wrongdoers wherever he can find them. A tragic film, too, not because of how the story goes, but because of the context in which it is set. Sandeep Kulkarni gives a powerful performance as the lead character. The editing is sophisticated and evokes the busy feel of a city.

About the director: Nishikant Kamat started out with TV serials. He also wrote the screenplay for Neha Dupia’s Julie. This is his first outing as a movie director. He is presently molding Dombivli Fast into a Tamil version, Evano Oruvan, featuring the actor Madhavan and a Chennai setting.

March 27th - Robert Altman's "MASH"

MASH (1970)

The Auditorium at 6:15 p.m.
Runtime: 1 hour 51 minutes

Set in a U.S. military hospital during the Korean War, MASH is not so much a movie as a series of events featuring the hellion trio of Hawkeye, Trapper John and Duke. These guys are army doctors – they do great with the doctor bit, but with the army part... the less said the better! One cannot do everything, after all, not in a war. The battle zone does strange things to people. Even the officious types are a bit off, to the point of being buffoons. In the end it is all about how one copes. Gallows humor at its best.

About the director: Robert Altman (b. 1925, d. 2006) had an up-and-down career in the business. MASH was his major breakthrough, and he quickly followed it up with other [critical] successes. A slump, punctuated by Popeye (1980), dragged his banner in the dust, but he made a comeback with The Player (1992). He had a character-driven approach to making movies, frequently letting his actors improvise their pieces.

March 22nd - Almodovar's "WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN"

Women on the Verge of a Nervous Breakdown (1988)

Starring: Antonio Banderas

Yet another comedy this month. This film packs in two days and two nights into one-and-a-half hours of frantic activity, throwing together teetering egos and absurd circumstances in a cascading mess. Take a handful of young women and put them through this. They are never the same again. As may be guessed, the issues of love, melodrama and grotesque humor have a lot to do with the story. We are sure a lot of you are not too familiar with Spanish-language sitcoms. This movie is higher than the run of the mill. We thought that this movie would be most appropriate for the way things are on campus these days!

About the director: Pedro Almodóvar (b. 1951) is the most famous Spanish filmmaker at present. Known for his interest in the relationships between people, especially women, he successfully combines essential humanity and the culture-specific into works of sophistication. If you like this film, be sure to catch All About My Mother (1999), which is crazier by far.

March 20th - Fellini's "LA DOLCE VITA"

La Dolce Vita (1960)

Starring: Marcello Mastroianni, Anouk Aimée and Anita Ekberg.

It is no coincidence that the name of the lead character’s colleague, Paparazzo, is now used to denote an overly intrusive photographer. Though the setting is ‘60s Rome, the story still has relevance in our media-saturated age, dealing as it does with themes of cultural decadence, crass sensationalism and the loss of the self. It spans barely a chronological week, yet in that time the protagonist finds his life turned inside out. Marcello Mastroianni plays the lead as a reporter and is surrounded by an array of others, including Anita Ekberg as an actress. La Dolce Vita is widely considered to be the most famous European film of the 1960s.

About the Director: Federico Fellini (b. 1920, d. 1993) is a fixture on every collector’s wish list. Audi regulars will remember the recently screened 8½, but one example from his impressive body of work. La Dolce Vita marks the juncture between his earlier Neo-Realism [as with La Strada (1954)] and his later, ‘artier’ work [as with 8½ (1963)].

March 15th - Martin Scorsese's "KUNDUN"

KUNDUN (1997)

Directed by Martin Scorsese
Runtime: 2 hours 15 minutes

DVD blurb: “Praised as one of the best films of the year, Kundun is a motion picture masterpiece directed by five-time Academy Award™-nominated director Martin Scorcese. It’s the incredible true story of one of the world’s most fascinating leaders – Tibet’s Dalai Lama – and his daring struggle to rule a nation at one of the most challenging times in its history. Powerfully told and set against a background of world politics – the film’s release created an international uproar! Featuring a striking, Oscar®-nominated score by renowned composer Philip Glass, this extraordinary Motion Picture has been greeted with both controversy and critical acclaim – experience it for yourself!”

March 8th - David Lynch's "BLUE VELVET"

Set in the small, quaint town of Lumberton, Blue Velvet begins with the protagonist (MacLachlan) discovering a severed human ear - which he takes to the police. He begins to investigate the matter himself, and discovers a seamy underworld within Lumberton, involving a bizarre homicidal kidnapper (Hopper), and a seductive, mysterious night-club singer on the verge of a breakdown (Rossellini).

Blue Velvet opened to great critical acclaim in 1986, and was a box office success, considering its limited release in theatres. The film has since become a cult classic, noted for its use of surrealism, dreamlike aura, neo-noir and examination of the dark-side of America, and has spawned several inferior imitations.

March 6th - Woody Allen's "bananas"!!!

When bumbling product-tester Fielding Mellish (Allen) is jilted by his girlfriend, Nancy (Louise Lasser), he heads to the tiny republic of San Marcos for a vacation... only to become kidnapped by rebels! Once the band of rebels seize power, their leader goes crazy and they replace him with Mellish, thinking he can save the country. But when Mellish is nabbed by the FBI, he is put on trial for subversion and in a side-splitting courtroom showdown - including the most hilarious self-cross examination ever - Woody Allen proves beyond a doubt that he is not only our most gifted satirist... he's a master comic artist.

Woody Allen's second film as director, co-writer and star takes parody to the extreme with a brilliant send-up of everything from relationships to dictatorships. An early example of what Allen called his 'slapdash' approach to comedy, Bananas' broad, fast humour and rapid-fire witticisms form a dazzling kaleidoscope of inspired ingenuity and comic artistry.

Fourth Week, Feb '07

Hi you all,

This is the last week, the fourth of four sets each dedicated to a director. Werner Herzog brings up the rear in a steady onslaught. We think you shall enjoy these two films. To be honest, attendance has been distressingly low this past week, which may be due in part to factors of which we are not unaware. Still, remember that the Film Club is a valuable institution. It is something we will perhaps only fully appreciate when we leave NID, so make the most of it – and please show your support.


Tuesday
27th February 2007
6:15 p.m. at the Auditorium

EVEN DWARVES STARTED SMALL (1970)
Runtime: 1 hour 36 minutes
Directed by Werner Herzog

A film to make you think; this, one of Herzog’s earlier pieces, shows clearly his taste for the incredible, literally even. A hint of the bizarre, at times to the point of repulsiveness, is all-pervading, side-by-side with the stark, breathing, moist and warm humanity which even the black and white stock cannot obscure. A film to make you think: it may also throw you for a loop. Very insular is the world the dwarves inhabit. The story, which shows the progression of their rebellion against authority, is essentially one of implosion, of a society that does not transform but instead, crashes. An abbreviated Reign of Terror ensues as a matter of course. May this sort of thing never happen to us.



Thursday
1st March 2007
6:15 p.m. at the Auditorium

AGUIRRE, WRATH OF GOD (1972)
Runtime: 1 hour 40 minutes
Directed by Werner Herzog

Arguably Herzog’s most famous film - deservedly so - it has been screened a number of times here. It centres on the largely fictionalized exploits of a Spanish conquistador on a wild-goose chase for the mythical El-Dorado. Kurosawa had his Mifune. Likewise, Herzog had to deal with the gifted and nearly uncontrollable Klaus Kinski. The relationship was little short of magic. The title character strides, rages across the screen, fully living up to his moniker. In the midst of an overgrown jungle mad dreams play out in extravagant fashion, their death spasms swallowed up by vines and leaves. Watching this, one can scarcely believe it was made in the early 70s. It has the feel of a documentary – Herzog even calls it his best such.


About the director: Werner Herzog (b. 1942) hails from Germany. Internationally renowned, his extensive oeuvre includes THE ENIGMA OF KASPAR HAUSER (1974) and FITZCARRALDO (1982). His movies with the aforementioned actor Klaus Kinski are a category in their own right, so catch some when you can. Herzog would appear to see the natural world as malicious, barbaric, to be held at bay by reason. Do you disagree? Go right ahead, but watch first.


With regards,
The Film Club.